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Posts Tagged ‘native american’

Tuesday, May 7th, 2013
Visionary - Stan Bearpaw

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This painting is my first miniature. The size is 7” x 5”. This is Stan Bearpaw. Stan is a friend and neighbor from Cody, WY. He is a full-blooded Cherokee and he is the great, great, great nephew of the famous Indian Outlaw, Ned Christie.

This painting is traditional oils on Realgesso Masonite.

Here is version one. On day one, I painted in the sky background.

Visionary - Stan Bearpaw

This is day two. I have roughed in the feathers and hair on his head dress, along with the upper part of his face.

Visionary - Stan Bearpaw

This is the final version.

Visionary - Stan Bearpaw

Thanks for riding along. Stay tuned, there are many more of my works in progress to come.

Denny



Tuesday, April 16th, 2013
Cheyenne Moon - Danny Reyes Painting

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This is Danny Reyes from the Cheyenne Nation.

This painting is traditional oils on Ampersand Gessobord Masonite. The finished size is 11″ x 14″.

Here is version one. On day one, I painted in all the dark areas.

Cheyenne Moon - Danny Reyes Painting

This is day two. I have laid in the base coat for the upper head feathers.

Cheyenne Moon - Danny Reyes Painting

Day three. Here I painted the base coat on his face.

Cheyenne Moon - Danny Reyes Painting

Day four. I spent the entire day roughing in his porcupine quill collar/chest plate and ear rings plus I added more detail to his face.

Cheyenne Moon - Danny Reyes Painting

This is the final version. I finished detailing out his upper feathers, painted in David’s collar feathers and lastly, I signed it.

I wanted to point out something in this painting that I didn’t notice until after I was about half way through the painting. If you look closely, check out the gold shape on David’s face. It is very cleverly painted to represent a crescent moon using his actual eye and nose, giving us the title that Andrew and I came up with, Cheyenne Moon.

Cheyenne Moon - Danny Reyes Painting

Here are two close-ups of my final version to show all the detail.

Cheyenne Moon - Danny Reyes Painting

Cheyenne Moon - Danny Reyes Painting

Thanks for riding along. Stay tuned, there are many more of my works in progress to come.

Denny



Friday, March 29th, 2013
Visionary – Stan Bearpaw

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Buy this print
This painting is my first miniature. The size is 7″ x 5″. This is Stan Bearpaw. Stan is a friend and neighbor from Cody, WY. He is a full-blooded Cherokee and he is the great, great, great nephew of the famous Indian Outlaw, Ned Christie.

This painting was created using a photo that my wife, Leigh took at the Buffalo Bill Historical Center’s Powwow in 2008.

This is the second painting that I have done of Stan. The first was Cherokee Outlaw.

This painting is traditional oils on Realgesso Masonite.

Signed and number prints are available. Edition of 150.

Original is sold.

Measures: 7″ x 5″



Friday, March 29th, 2013
Cheyenne Moon - Danny Reyes Painting

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Here is my latest piece. It is titled Cheyenne Moon. The model’s name is Danny Reyes. My very good friend, Andrew Hogarth, photographer/writer/storyteller from Australia took the outstanding reference photograph that I used to create this painting. Andrew, in his own words describes how it all happened:

“In early August 1992, Kim, my wife and I attended the private Cheyenne Powwow at Colony, Oklahoma. We had been invited by John Sipes, Jr. the Cheyenne Tribal/Historian. The year before Kim and I had worked with John on our booklet Cheyenne Hole: The Story of the Sappa Creek Massacre, 23rd April, 1875. The Grand Entry for the powwow was 7:00 pm and by that time it was dusk and nearly no light at all. About twenty to seven, as the dancers were making their way to the arbour, I spotted this ghostlike figure appear from the crowd in the camp. I quickly walked up to the young traditional dancer and asked if I could snap a couple of images on film. The young man nodded and I shot the two images. He later said his name was Danny Reyes from the Cheyenne Nation. When I developed the film on the Monday I found one of the two images were badly blurred and the second images sharp but still a touch blurred. Still it was good enough was inclusion in my first exhibition collection ‘Native Lands: The West Of The American Indian.’ This image was highlighted in the Native Lands showing at the Jackson Hole Museum during The Falls Arts festival in September, 1996. I met with Danny again at Colony in 1996 and we created the second set of images with his new regalia. I asked him about his regalia from 1992 and he said that during a dinner break at a powwow in Albuquerque it was stolen.”

I wanted to point out something in this piece that I didn’t notice until after I was about half way through the painting. If you look closely, check out the gold painted shape on David’s face. It is very cleverly painted to represent a crescent moon using his actual eye and nose, giving us the title that Andrew and I came up with, Cheyenne Moon.

This painting is traditional oils on Ampersand Gessobord Masonite.

Signed and number prints are available. Edition of 50.

Original is available. $3200

Measures: 11″ x 14″



Thursday, February 2nd, 2012
native american painting Proud - Jay Eagle

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This fine young man is Native American, Jay Eagle from Bullhead, South Dakota. Jay is Hunkpapa/Oglala Lakota.

This painting is traditional oils on Ampersand Gessobord Masonite. The finished size is 16″ x 16″.

Here is version one. On day one, I laid down a base coat for Jay’s face.

Proud - Jay Eagle

This is day two. I have added some detail to his face and laid down my base coat for Jay’s leather bonnet straps, neck and the top of his cloth necklace that holds a feathered pendent that is just out of the picture.

Proud - Jay Eagle

Day three. Here I added the cloth that is wrapped around his long hair braids. I also roughed in the feather cluster on his left shoulder.

Proud - Jay Eagle

Day four. I spent the entire day roughing in all the feathers in his bonnet and more detail to his face.

Proud - Jay Eagle

This is the final version. I finished detailing out his bonnet feathers, painted in the off-white background and lastly, I signed it.

Proud - Jay Eagle

Here are two close-ups of my final version to show all the detail.

Proud - Jay Eagle

Proud - Jay Eagle

Thanks for riding along. Stay tuned, there are many more of my works in progress to come.

Denny



Thursday, February 2nd, 2012
native american painting Proud - Jay Eagle

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This fine young man is Native American, Jay Eagle from Bullhead, South Dakota. Jay is Hunkpapa/Oglala Lakota and lives on the Standing Rock Reservation. My good friend Andrew Hogarth from Sydney, Australia that is a world-famous photographer, took the first-class photograph that I am using for my reference. His work has appeared in many, many national publications. Matter of fact, the photo has graced several magazine covers and other publications. This photo of Jay was taken in 1996 at the annual Crow Fair on land surrounding the Little Big Horn River near Billings, Montana. With regards to his powwow dancing, Jay has won close to two hundred 1st, 2nd and 3rd place awards. Jay still has all the envelopes that his prize money was handed to him on those particular days.

I also want to mention, Andrew has been asked many times by many artists to paint his images. I am the first artist that Andrew has asked to paint one of his grand images! I am truly honored!

This painting is traditional oils on Ampersand Gessobord Masonite.

Signed/numbered prints available. Edition of 150.

Original is sold.

Measures: 16″ x 16″



Monday, December 14th, 2009
Waycie Roundstone, Grass Dancer

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In the summer of 2008, Leigh and I had the ultimate privilege to attend our first dance Pow Wow in Cody. It was held and sponsored by the Buffalo Bill Historical Center.

The Grass Dance style is a very old dance rich in history that has become very popular. In the old days, it was the job of the grass dancers to flatten the grass in the arena before a Pow Wow. The name grass does not come from the stomping of grass, but it comes from the old habit of tying braids of sweet grass to the dancer’s belts, producing a swaying effect. Today, Grass Dancers resemble a multicolored swaying mass of yarn or fringe on the dance floor. The Grass Dance is a very fluid and bendable style, with the dancers trying to move their fringe in as many places as possible at once. The Grass Dance style was born in the North, but its popularity has spread South, and now this beautiful style is available for everyone.

The regalia of a Grass Dancer is very different from most other styles. The head gear is much the same: roach, spreader, and maybe a beaded headband. One primary difference in Grass dancers is the optional antennas, which are long, thin wires with fluffs attached to the end that protrude from the spreader in the place of roach feathers. Most dancers today wear fringed capes that are edged with lots of yarn or chainette fringe. Multicolored designs in the yarn are popular, but all white with colored highlights is becoming popular. A matching apron to the cape is worn to cover the waist, and usually fringed side tabs are worn as well. Instead of leather leggings, most Grass Dancers will wear a pair of jogging pants that have been modified with fringe just below the knees. The bells are worn just below the ankles above the moccasins.

Grassdancers

Leigh took many photographs of the dancers. My first subject from that year’s Pow Wow is this fine, fine young man, grass dancer, Waycie Roundstone. Waycie was 26 years of age. He is full-blooded Northern Cheyenne from Lame Deer, Montana. Even though Waycie is a dancer, after going through the many photographs of Waycie, I could not pass up this fantastic head study that Leigh captured. One does not have to look straight into this young man’s eyes to see the intensity of his soul!

Here is day one. This is all my pencil lines drawn in and roughing in the background on my usual Ampersand museum-grade Masonite.

I have started this piece a little different, in the fact that I laid in the background first. There is just so much horse hair on his head that it had to be done this way. Something else a little different for me is the size. Most people’s heads are roughly 9.5″ to 10″. The overall size of the painting is 16″ x 20″, but Waycie’s head in my painting is life-size and a half, roughly 13″ tall! Most of my subject’s heads are rendered not much bigger then 3″ to 4″ tall. No room for error here! Every detail must be there or I feel I have failed.

Waycie Roundstone, Grass Dancer

This is day two. I have roughed in his face, hair and red bandana.

Waycie Roundstone, Grass Dancer

Day three. I have roughed in his horse hair head dress.

Waycie Roundstone, Grass Dancer

Here is day four. You can see that I worked on Waycie’s facial tones. The rest of the day was used to lay in the rough bead work. Still many beads and highlights on those beads to go!

Waycie Roundstone, Grass Dancer

Day five.

I have finalized all his bead work. The beads are actually a little bigger than a 1/6″, bigger than they appear. I did find a great way to paint the beads. I paint a light brown outline around each bead. I then take another brush that slightly larger the the hole for the bead, as I lay in the stroke of color for the actual bead, the “wet” brown blends around the outer edge of the bead. This gives each bead a slight rounded effect. The last steps are painting in his rainbow-colored shirt and put the finishing touches to the background.

Waycie Roundstone, Grass Dancer

The final!

Waycie Roundstone, Grass Dancer

Here are two close-ups, one of the bead work area and the his chrome beaded, bone necklace.

Waycie Roundstone, Grass Dancer

Waycie Roundstone, Grass Dancer

Thanks for looking! Stay tuned, there are many more of my works in progress to come.

Denny



Monday, September 28th, 2009
First Snow

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This is my first painting of Michael Bad Hand Terry. Bad Hand is his given Indian name. Michael is an accomplished Actor, Stuntman, Authenticity Expert and Technical Consultant for nearly 50 motion pictures including Dances With Wolves and Last of the Mohicans. He is currently the nation’s renowned authority on Plains Indian history. Michael’s journeys take him all across the USA where he teaches, lectures and entertains the curious public on Plains Indian history, culture, and corrects many of the myths and untruths propagated and compounded by generations of television and inaccurate historical portrayal. Michael’s mission is to undo the misunderstandings about the Native Americans from history and show the kinder, gentler side of their survival as a culture.

Michael was kind enough to pose for me in Pinedale, Wyoming in July 2006. All the clothing, regalia, props, jewelry and such are made by hand by Michael to accurately reflect Native American history. Michael is careful to explain, educate and nullify myths and legends about the Plains Indians history through demonstration, story-telling and careful and accurate responses to questions posed by his audiences. Michael has posed and been painted for the last 30 plus years by the likes of Frank McCarthy, James Bama, Howard Terpning, some of the nation’s most well-known western artists.

This is day one of my painting. It is a traditional oil painting on 1/8″ thick museum-grade Masonite board. The Masonite is gesso-covered board called Gessobord made by Ampersand. The overall size of this painting is 18″ x 24″. Michael is dressed in authentic Comanche (time period 1870′s) leggings, smock, and an otter hair hat. Here, I have roughed in the otter hair hat and his face.
On that hat, you can see the small leather cross, large brass button and crescent moon shape. There is also a row of small, glass aqua beads trimming the top of the hat.

First Snow

In the second day’s work, you can start to see that Michael is also wearing a buffalo skin coat that would normally be worn during the bitterly cold winter months on the plains. You will notice that I smoothed out his face to have a more realistic look.

First Snow

On the third day’s work, you can see more of the buffalo robe that is actually worn with the long hair to the inside of the coat with the hair turned out on the large collar and sleeve cuffs. Also shown is the roughed-in areas of Michael’s hand.

First Snow

The next image shows that he is holding a U.S.-made muzzleloader rifle designed especially for trade to the Indians. Michael covered the stock of this U.S. government-issued rifle with brass decorative tacks. The Native Americans loved brass tacks and traded many furs and other native artifacts with the white man for brass tacks, glass beads from Italy and other articles they found fascinating, fashionable and decorative. The trigger guards on these specially made rifles were designed with a large opening to allow for this single-gloved finger. It would be hard to feel the trigger or accurately judge the pressure on the trigger with an entire hand covered by a single mitten with only the thumb free. A lot of planning and effort went into making and trading items between the trades people and the Native Americans.

First Snow

As you can see in this image, at Michael’s side, is his best friend, an 18-year-old paint horse, Apache.

First Snow

This last version of Michael and Apache shows the snow-covered boulders laid into the background. All that remains is to paint the snowflakes on Michael, Apache, the background and then sign it.

First Snow

Here are five close-ups to see some of the details up-close and personal. Thanks for riding along. Stay tuned, there are many more of my work-in-progresses to come.

Denny

First Snow

First Snow

First Snow

First Snow

First Snow



Tuesday, September 1st, 2009
Bad Hand
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Denny’s third painting of Michael Terry is from his wife, Leigh’s, photo shoot with Michael “Bad Hand” Terry, Native American. “Bad Hand” is his given Indian name. Michael is an accomplished Actor, Stuntman, Authenticity Expert and Technical Consultant for nearly 50 motion pictures including “Dances With Wolves” and “Last of the Mohicans.” He is currently known as the nation’s foremost authority on Plains Indian history. Michael’s journeys take him all across the USA where he teaches, lectures and informs the curious public on Plains Indian history, culture, and corrects may of the myths and untruths propagated and compounded by generations of television and inaccurate historical portrayal. Michael’s mission is to undo the misunderstandings about the Native Americans from history and show the kinder, gentler side of their survival as a culture. Michael was kind enough to pose for Denny in Pinedale, Wyoming in July 2006 while he was there giving lectures on the Plains Indians history during the annual Mountain Man Rendezvous.

All the clothing, regalia, props, jewelry and such are hand-made by Michael to help explain, educate and nullify myths and legends about the Plains Indians history through demonstration, story-telling and careful and accurate responses to questions posed by his audiences. Michael has posed and been painted for the last 30 plus years by well-known western artists such as Frank McCarthy, James Bama, Howard Terpning.

The piece is traditional oils on the Ampersand “Gessobord” Masonite.

Edition of 250.

Original is available. $5,000.00

Inquire today about purchasing the original. Call 307-899-2052 or email info@karchnerwesternart.com

Measures: 16″ x 24″



Tuesday, September 1st, 2009
Black Bear
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This is a “pencil” of Black Bear, Chief. Black Bear was an important chief of the Northern Arapahoe. The reference photo used was taken by Frank A. Rinehart in 1899.

Reference photos made available by the Buffalo Bill Historical Center, Cody, WY.

Pencil on heavy-weight illustration board.

Edition of 250.

Original is available. $600.00

Inquire today about purchasing the original. Call 307-899-2052 or email info@karchnerwesternart.com

Measures: 8″ x 10.5″



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