Archive for the ‘Works In Progress’ Category
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This is Pittsburgh Steeler All-Pro Quarterback, Ben Roethlisberger.
This painting is traditional oils on museum-grade Masonite. The finished size is 20″ x 16″. Here is version one. I laid down the base coat for his helmet shell. A lot more detail to come!
This is day two. After his helmet and cage dried, I was able to paint the melted snow droplets on the surfaces. I also roughed in Ben’s face and added the Duke Football.
Day three. Here I roughed in the upper part of his jersey, his long sleeved turtleneck shirt along with his leather gloves.
Day four. I spent the day roughing in the front of Ben’s jersey that is a nylon mesh. I also added the Pittsburgh Steeler and NFL Equipment patches to his jersey.
Day five. Today I added a lot of the creases and folds in his jersey. I also added the faint white dots which shows his white shoulder pads underneath. I painted in his number 7 to his jersey as well.
Day six. I spent the better part of this day painting in all the black mesh holes in Ben’s jersey front.
Day seven. Here, I laid in the background color.
This is the final version. As you can see from the detail, you can probably tell this took many hours to paint in all the flakes of snow.
Here are some close-ups of my final version to show all the detail.
Thanks for riding along. There are many more of my works in progress to come. Denny |
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This is Gage Skinner. Gage is a cultural anthropologist, widely-traveled former Peace Corp Volunteer, Foreign Service Officer (South America), State and National Park Service Ranger (Oklahoma and the Rocky Mountain Region), professor at Grossmont-Cuyamaca College District, Fur Trade historian, re-enactor and poet. Gage posed for me in 2006 at the Mountain Man Rendezvous in Pinedale, Wyoming.
This painting is traditional oils on “Realgesso” Masonite. The overall size is 11″ x 14″. This is day one.
Day two.
Day three.
Day four
Day five.
Day six.
Here is the final version of Gage’s portrait.
Here are two close-ups of my final version to show all the detail.
Thanks for riding along. Stay tuned, there are many more of my works in progress to come. Denny |
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This is Pittsburgh Steeler Defensive End, Brett Keisel from Greybull, Wyoming. I posed him where he hunts, up on the famous Carter Mountain Range. This is located right above where we live in Cody, Wyoming.
This painting is traditional oils on museum-grade Masonite. The finished size is 18″ x 24″. This is day one.
Day two.
Day three.
Day four.
Day five.
Day six.
Day seven.
Day eight.
Here is the final version of Brett’s portrait.
Here are four close-ups of my final version to show all the detail. One little side note, if you look at the last close-up, you will see a small pair of buffalo tracks after my signature. This is to commemorate Brett’s High School mascot and my company name.
I want to thank Brett for allowing me to paint his image. Also, I want to thank my wife Leigh, for taking her valuable time to photograph all the images of this painting. Thanks for riding along. Stay tuned, there are many more of my works in progress to come. Denny |
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This is Steeler Defensive End, Brett Keisel from Greybull, Wyoming.
This painting is traditional oils on museum-grade Masonite. The finished size is 16″ x 20″. Here is version one. I laid down the base coat for his helmet shell. A lot more detail to come!
This is day two. Today I roughed in Brett’s face.
Day three. Here I roughed his helmet cage. This is one of the toughest things that I paint. Next in line, are a rifle barrel and hands. I would rather paint ten faces than one helmet cage! The real challenge is to paint a true straight line. Any slight variations really jump off the board to my eye.
A good example of a real challenge for me was this piece titled Spirit, Horse, Hunter. A lot of the parts of Richard Ashburn’s flintlock had many straight lines to contend with. Then, throw in my other favorite thing to paint, hands!
Day four. After his helmet and cage dried, I was able to paint the melted snow droplets on the surfaces. If you look close, there are even a few hanging from his cage bars. I will add a few more on the bars in front of his chin piece once it dries. Speaking of his chin piece, I was able to rough it in along with his hair and beard. Once they dry I can finish detailing them.
Day five. I have finished detailing the cage, the chin piece and straps. As you see I have also roughed in his right shoulder, left shoulder and collar area. Once the collar area dries, I can finish painting in Brett’s long beard and hair that come down over that area. I will also finish detailing the snow lying on his shoulders.
Day six. I detailed his beard and hair to come down over the jersey. There will be more beard and hair detail to add again later. I was able to finish laying down the base coat for the rest of the jersey, the #99, NFL Equipment patch and the Steeler patch. Now comes the painstaking job of painting all the holes in the mesh of the jersey. I’m on the home stretch now!
The artist at work.
Day seven. I spent the better part of the day shading his right sleeve and painting the hundreds of mesh holes in the front of the jersey!
Here is a close-up of Brett’s jersey front.
Day eight. I wasn’t going to post this step but decided to show what took a lot longer to paint than I thought. I spent hours painting all the snowflakes on top of Brett. When he was photographed by Mike Fabus, the Steeler photographer, the falling snow takes on a lot of different sizes because of the camera’s depth of field. The snowsflakes closer to the lens appear bigger and out of focus compared to the snowflakes closer to Brett. This was tough to recreate but I think that I nailed it. Now, the background!
Here is the final version of Brett’s portrait. The obvious thing you see is the snowy background that I added but there are also a lot of little details that I added to Brett. You will see that I made his beard the correct length and reworked his hair over the grey background after it dried slightly. I detailed the #99 on the front of his jersey and added some detail to the small NFL Equipment and Steeler patches. Lastly, I signed it.
Here are two close-ups of my final version to show all the detail.
I want to thank Brett for allowing me to paint his image. Also, I want to thank my wife Leigh, for taking her valuable time to photograph all the images. Thanks to my good friend and fellow Pittsburgh artist, Larry Klukaszewski for getting me hooked back up with Brett. Thanks to my good friend and fellow artist, Scott Spillman for all his input. Thanks to all my friends on FaceBook, especially Brett’s family that posted such great comments. Lastly, I want to thank Art Rooney, Jr. and all his close friends and family for all their suggestions. If it wasn’t for Mr. Rooney, I wouldn’t have ever met Brett back in 2007 to make this all possible. Thanks for riding along. Stay tuned, there are many more of my works in progress to come. Denny |
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This is a commission piece. This is Rick Scruggs from Duncan, South Carolina. Rick has been riding since the age of two. He specializes in team roping and calf roping. His mother was gifting this painting to Rick’s father. Rick is posed with his favorite saddle that his father bought for him. It’s a high-end Courts roping saddle handmade by a company called McMaster Custom Tack in Texas.
This painting is traditional oils on museum-grade Masonite. The finished size is 24″ x 20″. Here is version one. I am giving you a close-up first since I am working just the face area.
This is day two. I have smoothed out the flesh and hat while adding more detail to the face and hat. On the second day, the paint sets up and makes it easy to use a dry brush to blend and smooth everything out.
Here is a close-up of version two.
Day three. I pretty much finished detailing his face and managed to get the Courts saddle roughed in.
Day four. I’m still working all of the saddle detail. I just love painting leather and metal!
Day five. The saddle is just about complete. You can even see the saddle’s maker’s logos and the serial number if you look closely on the close-up below. Rick is wearing a plaid shirt. I roughed in the white background on his shirt. I will have to wait a few days for the paint to dry enough to paint the stripes up on top. This day, I managed to rough in his hands as well.
Day six. Meanwhile waiting for the shirt to dry, I roughed in his belt, buckle, gloves and jeans.
Day seven. I finished detailing Rick’s hands and his jeans. I also roughed in his boots. Next, those shirt stripes!
Day eight. I managed to get the stripes roughed in and painted his boots. I will finish all that and on to the background and sign it.
The final piece.
Here are some close-ups of my final version to show the detail.
Thanks for riding along. Stay tuned, there are many more of my works in progress to come. Denny |
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This is my good friend and hunting buddy, Sheldon Hanson. He is also my neighbor here in Cody, Wyoming. I have him and his horse, Junior posed in front of the famous Grand Teton Mountains in Jackson Hole, Wyoming.
This painting is traditional oils on museum-grade Masonite and the finished size is 18″ x 24″.
Here is day two.
Day three.
I finally got all the details finished on the mountain tops as well the area below which are actually trees, high meadows and rock formations. Where the trees stop is the tree line, which in the Rocky Mountains, usually stops in the 9000 feet above sea level range. As you can see, I got Sheldon’s face roughed in.
On this version, I laid down the base coat for Sheldon’s horse and added the rifle scabbard. I also finished detailing his face, beard and hat.
I have Junior’s head just about done. I will then move over to Sheldon’s shirt for the next go around.
I laid in the base coat for Sheldon’s leather shirt and pants. This was about a day and a half worth of work.
On this version, it took several days to add all the textures, shadows and etc. I was able to complete Sheldon’s muzzleloader rifle. Any elements with perfectly straight lines are a real challenge. This was no different.
As you look at this version, you will see that I have signed the painting. After much thought and discussion with fellow artists, I decided to make some changes to make the final piece closer to the time period which is in the late 1800′s. The Hackamore Bridle shown here dates from the 1950′s. I decided to date Sheldon as being a former “Union Soldier.” At that point, I reworked the whole bridle to make it an authentic Civil War Calvary horse bridle. I had to paint more than just the bridle, I had to rework all of the shadows they cast on Sheldon’s leather coat. I also decided earlier to remove the rifle scabbard shown on Junior’s shoulder that was on version seven. This took many hours to complete but I feel it was well worth it.
The final piece.
Here are some close-ups of my final version to show the detail.
Thanks for riding along. Stay tuned, there are many more of my works in progress to come. Denny |
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This “pencil” piece is “The Three Ubertis.” Uberti is a gun manufacturer based in Italy. They specialize in the making of fine “Western Vintage Firearms,” and are favorites of many collectors and shooters.
Pencil on heavy-weight illustration board. Edition of 250. Original donated to the Buffalo Bill Historical Center 2004 Art Auction, Cody, WY–Private Collection. Measures: 12″ x 18″ |
The Three Ubertis took over 100 hours to complete over a 10 day period. Click on the first photo below to start the slideshow.
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This is my good friend Dustin Roush from Gillette, Wyoming. Dustin posed for Leigh and I in July of 2006 at the DC Bar Guest Ranch, my friend’s ranch in Pinedale, Wyoming. Dustin and his family operate a very large beef cattle ranch in Gillette. Dustin was completing “guide school” classes at the time so he can work as a licensed hunting guide in the state of Wyoming. Dustin is a “master” with a lasso. He was giving lessons to all the other students. What a great kid he is as well as a pure gentleman. Here is the first day’s work. This is a rough base coat.
Here is day two. I have added more detail to Dustin’s face, Stetson, shirt and hands. I was able to lay in the base coat for the upper part of his jeans.
This is a close-up of that area.
This is day three. I finished the base coat for his jeans and boots.
On day four I finished detailing his jeans and boots. I have also roughed in his lasso and the dirt at his feet.
This is a close-up of that area.
This is day five. I have pretty much finished up all of the details on Dustin and laid in a rough base for the barn wall in the background.
Here is the final. If you look, you will see the final details that I added to barn wall and the dirt.
This piece is traditional oils on my Ampersand “Gesso Claybord.” The size is 14″ x 24. Dustin’s grandmother bought the painting for a wedding gift for Dustin and his fiancée. Thanks for riding along. Stay tuned, there are many more of my works in progress to come. Denny |







































































































