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Monday, December 14th, 2009
Waycie Roundstone, Grass Dancer

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In the summer of 2008, Leigh and I had the ultimate privilege to attend our first dance Pow Wow in Cody. It was held and sponsored by the Buffalo Bill Historical Center.

The Grass Dance style is a very old dance rich in history that has become very popular. In the old days, it was the job of the grass dancers to flatten the grass in the arena before a Pow Wow. The name grass does not come from the stomping of grass, but it comes from the old habit of tying braids of sweet grass to the dancer’s belts, producing a swaying effect. Today, Grass Dancers resemble a multicolored swaying mass of yarn or fringe on the dance floor. The Grass Dance is a very fluid and bendable style, with the dancers trying to move their fringe in as many places as possible at once. The Grass Dance style was born in the North, but its popularity has spread South, and now this beautiful style is available for everyone.

The regalia of a Grass Dancer is very different from most other styles. The head gear is much the same: roach, spreader, and maybe a beaded headband. One primary difference in Grass dancers is the optional antennas, which are long, thin wires with fluffs attached to the end that protrude from the spreader in the place of roach feathers. Most dancers today wear fringed capes that are edged with lots of yarn or chainette fringe. Multicolored designs in the yarn are popular, but all white with colored highlights is becoming popular. A matching apron to the cape is worn to cover the waist, and usually fringed side tabs are worn as well. Instead of leather leggings, most Grass Dancers will wear a pair of jogging pants that have been modified with fringe just below the knees. The bells are worn just below the ankles above the moccasins.

Grassdancers

Leigh took many photographs of the dancers. My first subject from that year’s Pow Wow is this fine, fine young man, grass dancer, Waycie Roundstone. Waycie was 26 years of age. He is full-blooded Northern Cheyenne from Lame Deer, Montana. Even though Waycie is a dancer, after going through the many photographs of Waycie, I could not pass up this fantastic head study that Leigh captured. One does not have to look straight into this young man’s eyes to see the intensity of his soul!

Here is day one. This is all my pencil lines drawn in and roughing in the background on my usual Ampersand museum-grade Masonite.

I have started this piece a little different, in the fact that I laid in the background first. There is just so much horse hair on his head that it had to be done this way. Something else a little different for me is the size. Most people’s heads are roughly 9.5″ to 10″. The overall size of the painting is 16″ x 20″, but Waycie’s head in my painting is life-size and a half, roughly 13″ tall! Most of my subject’s heads are rendered not much bigger then 3″ to 4″ tall. No room for error here! Every detail must be there or I feel I have failed.

Waycie Roundstone, Grass Dancer

This is day two. I have roughed in his face, hair and red bandana.

Waycie Roundstone, Grass Dancer

Day three. I have roughed in his horse hair head dress.

Waycie Roundstone, Grass Dancer

Here is day four. You can see that I worked on Waycie’s facial tones. The rest of the day was used to lay in the rough bead work. Still many beads and highlights on those beads to go!

Waycie Roundstone, Grass Dancer

Day five.

I have finalized all his bead work. The beads are actually a little bigger than a 1/6″, bigger than they appear. I did find a great way to paint the beads. I paint a light brown outline around each bead. I then take another brush that slightly larger the the hole for the bead, as I lay in the stroke of color for the actual bead, the “wet” brown blends around the outer edge of the bead. This gives each bead a slight rounded effect. The last steps are painting in his rainbow-colored shirt and put the finishing touches to the background.

Waycie Roundstone, Grass Dancer

The final!

Waycie Roundstone, Grass Dancer

Here are two close-ups, one of the bead work area and the his chrome beaded, bone necklace.

Waycie Roundstone, Grass Dancer

Waycie Roundstone, Grass Dancer

Thanks for looking! Stay tuned, there are many more of my works in progress to come.

Denny



Monday, September 28th, 2009
First Snow

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This is my first painting of Michael Bad Hand Terry. Bad Hand is his given Indian name. Michael is an accomplished Actor, Stuntman, Authenticity Expert and Technical Consultant for nearly 50 motion pictures including Dances With Wolves and Last of the Mohicans. He is currently the nation’s renowned authority on Plains Indian history. Michael’s journeys take him all across the USA where he teaches, lectures and entertains the curious public on Plains Indian history, culture, and corrects many of the myths and untruths propagated and compounded by generations of television and inaccurate historical portrayal. Michael’s mission is to undo the misunderstandings about the Native Americans from history and show the kinder, gentler side of their survival as a culture.

Michael was kind enough to pose for me in Pinedale, Wyoming in July 2006. All the clothing, regalia, props, jewelry and such are made by hand by Michael to accurately reflect Native American history. Michael is careful to explain, educate and nullify myths and legends about the Plains Indians history through demonstration, story-telling and careful and accurate responses to questions posed by his audiences. Michael has posed and been painted for the last 30 plus years by the likes of Frank McCarthy, James Bama, Howard Terpning, some of the nation’s most well-known western artists.

This is day one of my painting. It is a traditional oil painting on 1/8″ thick museum-grade Masonite board. The Masonite is gesso-covered board called Gessobord made by Ampersand. The overall size of this painting is 18″ x 24″. Michael is dressed in authentic Comanche (time period 1870’s) leggings, smock, and an otter hair hat. Here, I have roughed in the otter hair hat and his face.
On that hat, you can see the small leather cross, large brass button and crescent moon shape. There is also a row of small, glass aqua beads trimming the top of the hat.

First Snow

In the second day’s work, you can start to see that Michael is also wearing a buffalo skin coat that would normally be worn during the bitterly cold winter months on the plains. You will notice that I smoothed out his face to have a more realistic look.

First Snow

On the third day’s work, you can see more of the buffalo robe that is actually worn with the long hair to the inside of the coat with the hair turned out on the large collar and sleeve cuffs. Also shown is the roughed-in areas of Michael’s hand.

First Snow

The next image shows that he is holding a U.S.-made muzzleloader rifle designed especially for trade to the Indians. Michael covered the stock of this U.S. government-issued rifle with brass decorative tacks. The Native Americans loved brass tacks and traded many furs and other native artifacts with the white man for brass tacks, glass beads from Italy and other articles they found fascinating, fashionable and decorative. The trigger guards on these specially made rifles were designed with a large opening to allow for this single-gloved finger. It would be hard to feel the trigger or accurately judge the pressure on the trigger with an entire hand covered by a single mitten with only the thumb free. A lot of planning and effort went into making and trading items between the trades people and the Native Americans.

First Snow

As you can see in this image, at Michael’s side, is his best friend, an 18-year-old paint horse, Apache.

First Snow

This last version of Michael and Apache shows the snow-covered boulders laid into the background. All that remains is to paint the snowflakes on Michael, Apache, the background and then sign it.

First Snow

Here are five close-ups to see some of the details up-close and personal. Thanks for riding along. Stay tuned, there are many more of my work-in-progresses to come.

Denny

First Snow

First Snow

First Snow

First Snow

First Snow



Tuesday, September 1st, 2009
Bad Hand
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Denny’s third painting of Michael Terry is from his wife, Leigh’s, photo shoot with Michael “Bad Hand” Terry, Native American. “Bad Hand” is his given Indian name. Michael is an accomplished Actor, Stuntman, Authenticity Expert and Technical Consultant for nearly 50 motion pictures including “Dances With Wolves” and “Last of the Mohicans.” He is currently known as the nation’s foremost authority on Plains Indian history. Michael’s journeys take him all across the USA where he teaches, lectures and informs the curious public on Plains Indian history, culture, and corrects may of the myths and untruths propagated and compounded by generations of television and inaccurate historical portrayal. Michael’s mission is to undo the misunderstandings about the Native Americans from history and show the kinder, gentler side of their survival as a culture. Michael was kind enough to pose for Denny in Pinedale, Wyoming in July 2006 while he was there giving lectures on the Plains Indians history during the annual Mountain Man Rendezvous.

All the clothing, regalia, props, jewelry and such are hand-made by Michael to help explain, educate and nullify myths and legends about the Plains Indians history through demonstration, story-telling and careful and accurate responses to questions posed by his audiences. Michael has posed and been painted for the last 30 plus years by well-known western artists such as Frank McCarthy, James Bama, Howard Terpning.

The piece is traditional oils on the Ampersand “Gessobord” Masonite.

Edition of 250.

Original is available. $5,000.00

Inquire today about purchasing the original. Call 307-899-2052 or email info@karchnerwesternart.com

Measures: 16″ x 24″



Tuesday, September 1st, 2009
Black Bear
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This is a “pencil” of Black Bear, Chief. Black Bear was an important chief of the Northern Arapahoe. The reference photo used was taken by Frank A. Rinehart in 1899.

Reference photos made available by the Buffalo Bill Historical Center, Cody, WY.

Pencil on heavy-weight illustration board.

Edition of 250.

Original is available. $600.00

Inquire today about purchasing the original. Call 307-899-2052 or email info@karchnerwesternart.com

Measures: 8″ x 10.5″



Tuesday, September 1st, 2009
Cherokee Outlaw
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This is Stan Bearpaw. Stan was 53 years old when this portrait was done and he is a full-blooded Cherokee. The great thing about Stan is that he is the “great, great, great nephew” of the famous “Indian Outlaw,” Ned Christie. This piece is traditional oils on Masonite.

Edition of 250.

Original is available. $4,300.00

Inquire today about purchasing the original. Call 307-899-2052 or email info@karchnerwesternart.com

Measures: 18″ x 24″



Tuesday, September 1st, 2009
Chief Plenty Coups
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Plenty Coups was a Crow chief and visionary leader. He allied Crow with the whites when the war for the West was being fought, because the Sioux and Cheyenne (who were opposing white settlement of the area) were the traditional enemies of the Crow. Plenty Coups had also had a vision when he was very young that non-Native people would ultimately take control of his homeland (Montana), so he always felt that cooperation would benefit his people much more than opposition.

One of his famous quotes is: “Education is your greatest weapon. With education you are the white man’s equal, without education you are his victim and so shall remain all of your lives. Study, learn, help one another always. Remember there is only poverty and misery in idleness and dreams – but in work there is self respect and independence.”

He very much wanted the Crow to continue as a people and their customs and spiritual beliefs to carry on. His efforts on their behalf ensured that this happened.

He was the principal chief of the Mountain Crows, or the Apsáalooke, of the Crow Nation.

Photographic reference was provided by the Buffalo Bill Historical Center, portrait reference photograph taken by Edward S. Curtis.

Pencil on heavy-weight illustration board.

Edition of 250.

Original available. $3,000

Inquire today about purchasing the original. Call 307-899-2052 or email info@karchnerwesternart.com

Measures: 12″ x 18″



Tuesday, September 1st, 2009
Chief Tosh-A-Wah
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This is a “pencil” of “Chief Tosh~A~Wah,” (Tosawi) a Comanche. He is wearing a “Jeff Davis” hat along with a presidential peace medal around his neck. “Chief Tosh~A~Wah” was drawn using a photograph for reference taken by photographer, William S. Soule in 1868.

Reference photos made available by the Buffalo Bill Historical Center, Cody, WY.

Pencil on heavy-weight illustration board.

Edition of 250.

The original was donated and accepted for permanent placement in the Booth Western Art Museum in Cartersville, Georgia in October, 2005.

Measures: 7.5″ x 10.5″



Tuesday, September 1st, 2009
Chief Wolf Robe
Buy this print
This “pencil” is “Chief Wolf Robe,” a noble Cheyenne who was drawn using a photograph for reference taken by photographer, Frank A. Rinehart in 1898.

Pencil on heavy-weight illustration board.

Edition of 250.

Original donated to the Buffalo Bill Historical Center 2004 Art Auction, Cody, WY–Private Collection

Measures: 12″ x 18″



Tuesday, September 1st, 2009
First Snow

View the work in progress »

Buy this print
Denny’s latest painting of Michael Terry is from his wife, Leigh’s, photo shoot with Michael “Bad Hand” Terry, Native American Indian. He is pictured here with his horse, “Apache,” photographed in July 2006. “Bad Hand” is his given Indian name. Michael is an accomplished Actor, Stuntman, Authenticity Expert and Technical Consultant for nearly 50 motion pictures including “Dances With Wolves” and “Last of the Mohicans.” He is currently known as the nation’s foremost authority on Plains Indian history. Michael’s journeys take him all across the USA where he teaches, lectures and informs the curious public on Plains Indian history, culture, and corrects may of the myths and untruths propagated and compounded by generations of television and inaccurate historical portrayal. Michael’s mission is to undo the misunderstandings about the Native Americans from history and show the kinder, gentler side of their survival as a culture. Michael was kind enough to pose for Denny in Pinedale, Wyoming in July while he was there giving lectures on the Plains Indians history during the annual Mountain Man Rendezvous.

All the clothing, regalia, props, jewelry and such are hand-made by Michael to help explain, educate and nullify myths and legends about the Plains Indians history through demonstration, story-telling and careful and accurate responses to questions posed by his audiences. Michael has posed and been painted for the last 30 plus years by well-known western artists such as Frank McCarthy, James Bama, Howard Terpning.

In this image, Michael is dressed in authentic Comanche (time period 1870’s) buffalo skin coat, leggings, smock, and an otter hair hat. He is holding a US-made rifle designed especially for trade to the Indians. The stock of the U.S. government-issued rifle is covered with brass decorative tacks. There were mittens hanging around his neck (not shown here) that are also made of soft leather and were designed so that the trigger finger is gloved alone while the remaining fingers are together. The trigger guards on the specially made rifles were designed with a large opening to allow for this single gloved finger. It would be hard to feel the trigger or accurately judge the pressure on the trigger with an entire hand covered by a single mitten with only the thumb free. A lot of planning and effort went into making and trading items between the trades-people and the Native Americans.

Denny’s portrayal here is in full winter dress and, indicative of the harsh winter months suffered by the Plains Indians. This piece, appropriately titled, “First Snow,” is the first in an on-going series of “Bad Hand.” Denny forwarded a .jpg of this painted image to Michael. Much to his surprise, Michael responded right away and not only conveyed how much he was moved by this piece but also offered a trade of future modeling or other such services in exchange for the original. This man has been photographed and painted by many artists over the years and he states he has never requested an original before this one! Denny was so humbled and honored at this request… he was truly moved and speechless at such a compliment.

Medium is traditional oils on “Clayboard,” gesso-coated Masonite.

Edition of 150.

Original has been sold.

Measures: 18″ x 24″



Tuesday, September 1st, 2009
Freckled Face
Buy this print
This is a pencil of “Freckled Face,” an Arapaho Indian. She is also the wife of “Little Bird”, one of Karchners’ other studies. Photographer Frank A. Rinehart (1862-1928) took the photo used for reference. The photograph was taken in the year 1898.

A beautiful woman in her own right, “Freckled Face’s” ceremonial cape is very unique in the fact that is covered with elk teeth. The eyeteeth from an elk are one of the very few sources of ivory in the world. There are over 225 teeth that are visible in this “pencil,” meaning that there are probably well over 500 teeth sewed to her cape. The ivories from an elk are still highly desirable and collectable for ornate jewelry and other uses.

Pencil on heavy-weight illustration board.

Edition of 250.

Original is available. $600.00

Inquire today about purchasing the original. Call 307-899-2052 or email info@karchnerwesternart.com

Measures: 8″ x 10.3″



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